1820's BallgownDuring the transition between the narrow Empire style and the wide full skirt of the Romantic style, gowns were getting fuller but were still relatively flat in front, and the waistline was still slightly higher than the natural waistline. This gown has these characteristics - in the front the skirt is gored, while the back is full and gathered. It is made from ruby red silk and the waist, neck, and sleeves are decorated with jacquard ribbon. |
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1820's Ballgown - Front |
1820's Ballgown - Front Detail |
1820's Ballgown - Back |
1820's Ballgown - Back Detail |
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1829 Blue Taffeta DressThis dress is a transition between the style above and the style below! The skirt is fuller than the 1820's ballgown and pleated the entire way around, and the sleeve is getting wider as it moves toward the extreme gigot sleeve of the 1830's Handsewn Dress. This one also has a nickname - Frankendress. Everyone who sews understands that every once in a while there is project where everything seems to go wrong. I did not have a pattern for this transitional period and was making one up as I went along. I kept changing my mind about whether to have it open in the front or the back, and each time I changed I had to undo the basted pleats in the skirt. Frustrated, I stopped picking them out with a seam ripper and began to just pull them out. The last time - the fabric ripped! I sewed the tear closed and hid it inside a pleat. As it was getting to be a monster of a dress and had a "stitches" where they didn't belong, I started calling it Frankendress! |
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A fashion plate from 1825 showing the basic look I was going after. |
Frankendress - with muff and hat. Sorry for the blur - this is the best I could do even with photoshop. |
Frankendress - Closeup |
Frankendress - On the hanger awaiting a gig. |
Frankendress Front |
Frankendress - Back |
Closeup of detail of skirt. |
Closeup of detail of skirt. |
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1830's Handsewn Cotton Dress with PelerineI had to do at least one entirely by hand, and this is it! The fabric is a printed cotton in turkey red and subdued greens. The waistline is slightly higher than the natural waist. The skirt is flat in front with some pleats, and gathered at the sides and back. The bodice is also gathered slightly at the waistline and shoulders - the fashion fabric is sewn to a fitted cotton lining. The waistline is about an inch above the natural waistline. As was done during this period, almost all of the seams are piped. The matching pelerine has a scalloped piped edge. It has a straw poke bonnet and a turban that were designed to be worn with it, shown on the Millinery page. |
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1830's handsewn dress in a fashion show at Hale Farm and Village in 2001. |
A picture of my husband, Bill, and I at a performance of the Old Economy Village 1830's Orchestra. I am wearing the dress without the pelerine. |
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1837 Green Velvet DressThis dress is made over the same basic pattern as the 1830's handsewn dress, but the gigot sleeves are banded down at the shoulder as was the fasion in the later part of the 1830's. This produces a sleeve puff from just above the elbow to the wrist. The dress is shown with and without a silk maltese lace collar. |
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1830s Green Velvet Dress - Front Plain |
1830s Green Velvet Dress - with Lace |
1830s Green Velvet Dress - Front detail without the lace. |
1830s Green Velvet Dress - Front detail with lace. |
1830s Green Velvet Dress - Detail of Sleeve |
1830s Green Velvet Dress - Back |
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1840 Diaper Print DressThe term "diaper print" refers to a small diagonal printed fabric. At one time, white linen with a woven diaper print was used for baby nappies, and that is how the modern term "diaper" evolved. In the 19th century diaper prints were very common textiles. By 1840 the big sleeves were out and long tight sleeves were once again in fashion. This dress has a ruffled sleeve cap. The waistline is now at the natural waist. The Burgundy Taffeta Bonnet matches this dress. Another interesting characteristic of dresses from the early 19th century is that they tended to close in the back. Beginning in the 1850's most dresses close in the front, with the exception of ballgowns which almost always close in the back. |
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1840 Diaper Print Dress - Front |
1840 Diaper Print Dress - Front detail showing waist treament. |
1840 Diaper Print Dress - Front detail of sleeves. |
1840 Diaper Print Dress - Back |
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1840's Wool Dress with Pink EmbroideryOne of the most distinctive features of dresses from the 1840's is the use of vertical seaming on the bodice. This dress is an example of that style. The 1840's saw the rise of vertically oriented styles such as Gothic revival archetecture and this is reflected in the clothing. The waistline of this dress is at the natural waist, and the skirts are very full and bell shaped. Hooped petticoats were not worn at this time - instead many layers of stiffened pettocoats were worn. They could be stiffened with cord sewn in many rows or with horsehair canvas and crinoline. This dress is made from a designer wool fabric that was pre-embroidered with the pink flower motifs. It was very expensive when it first came out, but to my good fortune a bolt of it ended up on the clearance rack, and this dress was the result. I have learned over the years never to pass up a really spectacular peice of fabric - grab it and run with it! The dress is piped with pilk silk, the neckline is trimmed with matching pink and black jacquard ribbon and lace. The Pink 1840's Bonnet was made to coordinate with this dress. |
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1840's Embroidered Wool Dress |
1840's Embroidered Wool Dress - Front Detail |
1840's Embroidered Wool Dress - Back |
1840's Embroidered Wool Dress - Back Detail |
1840's Embroidered Wool Dress - Side |
1840's Embroidered Wool Dress - Embroidery Detail |
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